Published Articles

March 24, 2024Javier Arce’s Collaboration With the Spanish Wilderness” published by Hyperallergic

March 20, 2024A Galician Artist’s Return Home” published by Hyperallergic

March 11, 2024Review: ‘Chloe Chiasson: Keep Left at the Fork’ at Dallas Contemporary” published by Glasstire

March 1, 2024Madrid’s Enterprising Heritage Seen Through Its Signs” published by Hyperallergic

February 25, 2024Prado Show Reveals the Hidden Artwork on the Backs of Masterpieces” published by Hyperallergic

February 12, 2024Ben Shahn’s Ever-Relevant Political Art” published by Hyperallergic

January 30, 2024The Children’s Book Author Who Was Also an Artist” and “Are We Really Still Doing White Feminist Shows in 2024?” published by Hyperallergic

January 1, 2024A Time Traveling Kennel Club: Hiromi Stringer at grayDUCK Gallery, Austin” published by Glasstire

December 28, 2023The Top 50 Exhibitions of 2023” published by Hyperallergic

December 18, 2023Review: Ryan Thayer Davis at Ivester Contemporary, Austin” published by Glasstire

December 12, 2023Glasstire’s Best of 2023” published by Glasstire

December 10, 2023Interview: Curator Mark A. Castro on the Legacy of Mexican Artist Abraham Ángel” published by Glasstire

December 2, 2023Review: Something To Do With Pleasure at 12.26, Dallas” published by Glasstire

November 20, 2023Before Picasso, Joaquín Sorolla Was America’s Favorite Spanish Artist” published by Hyperallergic

November 16, 2023The Painter Mexico City Lost Too Soon” published by Hyperallergic

November 14, 2023The Unsung Women of American Land Art” published by Hyperallergic

November 8, 2023The Many Faces of Guadalajara’s Famed Ceramics Studio” published by Hyperallergic

November 1, 2023 “The Stories Behind the World’s Most Coveted Dyes” published by Hyperallergic

October 9, 2023What Did Home Mean to Leonora Carrington?” published by Hyperallergic

August 2, 2023The Exquisite Illustrations of a Pioneering Woman Herbalist” published by Hyperallergic

June 22, 2023New Takes on Traditional Chinese Ink Painting” published by Hyperallergic

June 13, 2023Remembering a Giant of Japanese Painting” published by Hyperallergic

May 28, 2023A Pioneering Feminist of Japanese Modernism” published by Hyperallergic

May 14, 2023Review: ‘HOST: Celeste’ at The Contemporary Austin” published by Glasstire

April 12, 2023The World is Finally Ready for Mina Loy” published by Hyperallergic

April 5, 2023Review: ‘Sketches for Three Voices’ by Joanna Klink, Annette Carlozzi, and Francesca Fuchs at testsite, Austin” published by Glasstire

February 19, 2023The Preserved Beauty of Italian Island Traditions” published by Hyperallergic

February 1, 2023Photographer Captures His Journey With Terminal Cancer” published by Hyperallergic

January 19, 2023What Can Art Do for Women?” published by Hyperallergic

January 16, 2023The Extraordinary Life of Barbara Chase-Riboud” published by Hyperallergic

January 12, 2023William Eggleston’s Long Road to Recognition” published by Hyperallergic

January 10, 2023Matthew Wong’s Tenacious Vision” published by Hyperallergic

January 9, 2023Texas Show Spotlights Brazilian Art and Activism” published by Hyperallergic

December 27, 2022Norman Rockwell’s Exceptional Drawings, Revealed for the First Time” published by Hyperallergic

December 26, 2022The Complex Fashion History of Colonial Spanish America” published by Hyperallergic

December 12, 2022A Fresh Look at Flowers in Photography” published by Hyperallergic

November 29, 2022A Decade Among the Mennonites” published by Hyperallergic

November 21, 2022The Largely Unknown Story of Women, Abstract Expressionism, and Texas” published by Hyperallergic

November 1, 2022Why Are You Drawing Faces Like That?” published by Hyperallergic

September 22, 2022Tackling the Myth of the American West” published by Hyperallergic

September 19, 2022These Photographs Were Made in Protest” published by Hyperallergic

September 15, 2022New Book Asks, Why Do Artists Make Art?” published by Hyperallergic

September 4, 2022It’s Time to Look at Meret Oppenheim Beyond the Teacup” published by Hyperallergic

September 1, 2022How Japan’s Best Ceramists ‘Listen’ to Clay” published by Hyperallergic

August 28, 2022London’s History, Washed Up on the Shores of the Thames” published by Hyperallergic

June 19, 2022A Look at the Country’s Only Touring Black Rodeo” published by Hyperallergic

June 2, 2022The Prodigal Son of Spanish Baroque Art” published by Hyperallergic

May 29, 2022Forklift Danceworks: ‘Dances for Dogs and the People Who Walk Them’ in Austin” published by Glasstire

May 11, 2022Oscar Muñoz Visualizes the Invisible” published by Hyperallergic

May 8, 2022Unearthing Austin’s Overlooked Chicano Art History” published by Hyperallergic

April 27, 2022An Insightful Look Into the Lives of Women Over 50” published by Hyperallergic

April 26, 2022Sit and Stay Awhile: ‘fitting’ at Northern-Southern, Austin” published by Glasstire

April 22, 2022Wendy Red Star’s Empowered Vision of Crow History” published by Hyperallergic

April 17, 2022In the Chicano Movement, Printmaking and Politics Converged” published by Hyperallergic

March 20, 2022Review: Jenelle Esparza, Artists Looking at Art at the McNay Museum” published by Glasstire

March 17, 2022In San Marcos, A Homecoming for Bill Hutson” published by Hyperallergic

March 15, 2022Luigi Ghirri’s Affectionate Photos of Puglia’s Calm, Hushed Spaces” published by Hyperallergic

March 8, 2022Julia Morgan, California’s First Licensed Female Architect” published by Hyperallergic

March 7, 2022 The Spirited Sculpture of Octavio Medellín, Beloved Mexican-American Artist and Teacher” published by Hyperallergic

March 1, 2022How Artists Saw New York City Throughout the 20th Century” published by Hyperallergic

February 28, 2022A New Book on Niki de Saint Phalle Presents the Artist In Her Own Words” published by Hyperallergic

February 27, 2022Mies van der Rohe’s Forgotten Frat House Design is Resurrected and Repurposed” published by Hyperallergic

February 22, 2022Francesca Fuchs Tenderly Renders the Small and Private,” “Kamoda Shōji, One of Japan’s Most Celebrated Ceramic Artists,” and “Fun Facts and Unexpected Stories About Artists and the Art World” published by Hyperallergic

February 14, 2022How Painter-Architects Brought Built Spaces to Life” published by Hyperallergic

February 13, 2022Review: ‘Painted Flowers Shouldn’t Talk Back: The Houston Garden Artists in the Seventies’ by Margaret Killinger” published by Glasstire

February 8, 2022The Secretive, Ritual Objects of Masonic Groups” published by Hyperallergic

February 6, 2022A Teenager’s Dreamy Art Deco Bedroom From 1929” published by Hyperallergic

February 2, 2022Another Look at Hinko Smrekar, Slovenia’s Rebel Caricaturist” published by Hyperallergic

February 1, 2022Florine Stettheimer, Highly Original Artist, Gets Her First Comprehensive Biography” published by Hyperallergic

January 31, 2022Mauricio Lasansky’s ‘Nazi Drawings’ Confront the Unthinkable Evil” published by Hyperallergic

January 26, 2021Review: A Commitment to What is Before You at Northern-Southern” published by Glasstire

January 18, 2022Digital Exhibition Examines the Darker Side of Bananas” published by Hyperallergic

January 6, 2022How Venetian Glass Seduced American Artists a Century Ago” published by Hyperallergic

January 3, 2022How the Face of Rio de Janeiro Radically Changed Over Five Centuries” published by Hyperallergic

January 2, 2022Stitched Scenes of Everyday Life in LA’s Boyle Heights” published by Hyperallergic

December 19, 2021An Intimate Look at the Landscape of the South Texas Borderlands” published by Hyperallergic

December 15, 2021A History of Utopian Nudist Clubs in Buttoned-up Britain” published by Hyperallergic

December 13, 2021Feliza Bursztyn, a Colombian Sculptor Who Obliterated Norms” published by Hyperallergic

December 6, 2021How Pop Became Political for Artists Across the Americas” and “From Mississippi to Paris, Patrick Kelly’s Playful and Critical Fashion” published by Hyperallergic

December 5, 2021A Food-Obsessed Frolic Through Western Art History” published by Hyperallergic

November 30, 2021New Book Brings Virginia Woolf’s Little-Known Art Criticism To Light” published by Hyperallergic

November 28, 2021The Magnificent History of Japanese Screens” published by Hyperallergic

November 23, 2021Inside Luis Jiménez’s American Southwest” published by Hyperallergic

November 22, 2021Family Love and Politics in the Age of Trump and Beyond” published by Hyperallergic

November 16, 2021The First Koreatown in the US and the Activist Who Founded It” published by Hyperallergic

November 15, 2021A Gut-Wrenching but Graceful Photo Project on Trump’s America” and “Doris Derby’s Searing, Intimate Photos of the Civil Rights Movement” published by Hyperallergic

November 14, 2021A Look at the Holy Roman Empire’s Most Splendid Books” published by Hyperallergic

November 9, 2021The Control Over Women’s Bodies Expressed in Porcelain, Rope, and Hair” published by Hyperallergic

November 8, 2021A Japanese Designer’s Vision for Beautiful, Sustainable Textiles” published by Hyperallergic

November 7, 2021What Artists Cook Up in Their Kitchens” published by Hyperallergic

November 2, 2021Georgia O’Keeffe’s Photographs, Seen Closely for the First Time” published by Hyperallergic

November 1, 2021A Century of Women Designers Who Helped Shape Our Lives” published by Hyperallergic

October 31, 2021Reunited for the First Time, van Gogh’s Olive Groves Reveal Secrets About His Work” published by Hyperallergic

October 26, 2021How Witches Have Held Us Under Their Spell for Centuries” published by Hyperallergic

October 25, 2021Drawing the Intricate Environment of an Indigenous Venezuelan Community” published by Hyperallergic

October 24, 2021 “Artist Sam Francis Gets His First Comprehensive Biography” published by Hyperallergic

October 15, 2021New Art Space in Dallas Brings One Family’s Impressive Collection to the Public” published by Artsy

October 14, 2021Contemporary Artists Pay Tribute to Bosch’s Powerful Imagination” published by Hyperallergic

October 12, 2021 “The Little-Seen World of Demolition Derbies” and “Maria Guzmán Capron’s Deliciously Tactile Fabric Figures or ‘Hot Aliens’” published by Hyperallergic

October 11, 2021Faced With a Complex Sense of Home, Jagdeep Raina Turns to Art” published by Hyperallergic

October 5, 2021A Joyful Portrait of Old Age” published by Hyperallergic

October 4, 2021The Close Creative Dialogue of Two Brazilian Painteres, Alfredo Volpi and Eleonore Koch” published by Hyperallergic

October 3, 202113 Arts Organizations Across 5 States and 2 Nations Unite for Desierto Mountain Time” published by Hyperallergic

September 28, 2021Wupatki National Monument, Home to 5,000 Indigenous Sites, Will be Conserved” and “Tender Pictures Capture a Gender-Confirming Journey” published by Hyperallergic

September 21, 2021The Making of the Modern Latin American Metropolis” published by Hyperallergic

September 20, 2021The Disruptive Architecture of Border Walls” published by Hyperallergic

September 19, 2021The 18th-century English Crazy for One-Eyed Portraits” and “A Forgotten Female Flower Painter, Revived” published by Hyperallergic

September 17, 2021A View of Oxford That Evades its ‘Ethos of Intellectualism’” published by Hyperallergic

September 15, 2021For Masahisa Fukase, Cats Were Much More Than Cute” published by Hyperallergic

September 14, 2021An Artist Excavates Her Family’s Pre-Holocaust Story” published by Hyperallergic

September 8, 2021Mulholland Drive, Lushly Captured in Panorama” published by Hyperallergic

September 7, 2021Why an Italian Village Tied Itself to a Mountain” published by Hyperallergic

September 6, 2021The Lyrical and Funny Art of Erasing Words From Books” and “Graceful, Glistening Photos of Beachgoers on Ipanema” published by Hyperallergic

August 24, 2021Painting the Stories of Artists Who Are Also Caretakers” and “Why Early Modern European Artists Were Obsessed With Shells” published by Hyperallergic

August 22, 2021Ouka Leele’s Fantastical Fashion Photos” published by Hyperallergic

August 17, 2021Nao Bustamante Redesigns a Common Gynecological Tool” and “New NY Public Library Installation is Inspired by History of Writing” published by Hyperallergic

August 11, 2021 “2020: A Year Like No Other, Captured in Photos” published by Hyperallergic

August 10, 2021An Artist’s Hand Towels, Woven During the Pandemic” published by Hyperallergic

August 1, 2021Made on a Boat, a photographer’s Dreamy Views of the Sea” published by Hyperallergic

July 30, 2021 “Review: Bradley Kerl at Ivester Contemporary” published in Southwest Contemporary’s print edition

July 25, 2021Paying Homage to the Ancient Vessels That Transported Water” published by Hyperallergic

July 22, 2021 “Innovative Curatorial Projects in Prints and Drawings” published by Hyperallergic

July 14, 2021LACMA Announces New Art + Technology Lab Grant Winners” published by Hyperallergic

July 12, 2021A Photographer Retraces New York’s Forgotten Springs and Wells” published by Hyperallergic

June 22, 2021Review: New Hong Hong Exhibition at Asia Society Texas Center” published by Southwest Contemporary

June 17, 2021New Technology Reveals Hidden Modigliani Portrait” published by Hyperallergic

June 14, 2021Detroit’s Electronic Music Scene, Seen Through Its Black Creators” published by Hyperallergic

June 13, 2021Seeing More: Hockney and Van Gogh’s Nature at the Museum of Fine Arts, Houston” published by Glasstire

June 10, 2021Photographer Captures the Unexpected, Everyday Choreography of NYC’s Streets” published by Hyperallergic

June 8, 2021 “‘Bultos,’ the Wooden Sculptures That Offer Heavenly Help” published by Hyperallergic

June 1, 2021Cache of Photos Reveals LA’s Old Chinatown” published by Hyperallergic

May 28, 2021A Craze for Landscape: ‘Perpetual Bloom’ at Rienzi, Houston” published by Glasstire

May 26, 2021Prado Museum Hangs Replicas of Goya, Velázquez, and More Around Madrid” published by Hyperallergic

May 21, 2021One artist’s treasures: At the Blanton, drawings from the collection of Jack Shear” published by Sightlines

May 19, 2021A Weird and Wonderful History of Design Patents” published by Hyperallergic

May 18, 2021A Beautiful Guide to Colors and the Natural World, Revisited 200 Years Later” published by Hyperallergic

May 5, 2021LA’s Mexican American Lowrider Culture, Photographed in All its Glory” published by Hyperallergic

April 26, 2021Before Photography, Watercolorists Documented the Luscious Variety of Fruits and Nuts” published by Hyperallergic

April 19, 2021The Almond and Pebble That Inspired a Joan Miró” published by Hyperallergic

April 12, 2021Shota Nakamura ‘dear moon’ Peres Projects / Berlin” published by Flash Art

April 5, 2021Michelangelo’s Last Two Decades Were His Busiest and Loneliest” published by Hyperallergic; “Expanding Our Understanding of Drawing: ‘Silent Revolutions’ at the Menil” published on Glasstire

March 27, 2021Jennifer Reiland’s ‘Carnage’ at Lawndale” published by Glasstire

March 25, 2021Blanton New Grounds Initiative Promises New Visitor Experience” published by Arts and Culture Texas

March 24, 2021New Map Unearths New York’s Oldest and Rarest Trees” published by Hyperallergic

March 16, 2021 “‘They Feel Like a Time Capsule’: Portraits of New York Commuters, Pre-Pandemic” published by Hyperallergic

March 11, 2021Greg Piwonka: A (virtual) studio visit” published by Sightlines

March 9, 2021Greg Piwonka’s Power Struggles at Martha’s Contemporary” published by Glasstire

March 5, 2021Eight years after Sam Coronado’s death, Pepe Coronado and Jonathan Rebolloso continue his printmaking legacy” published by Sightlines

March 1, 2021Why Are Giorgione’s Paintings So Mysterious, Even Centuries Later?” published by Hyperallergic

February 19, 2021Carrie Cook at Tyler Park Presents” published in CARLA (Contemporary Art Review Los Angeles), Issue 23

February 15, 2021How Leo Steinberg Saw the Profound Importance of Prints Before Most” published on Hyperallergic

February 8, 2021In Residence Interview: Hong Hong” published on Glasstire; Anna Torma’s Hand-Sewn Dreams” published on Hyperallergic

January 30, 2021No Ocean Between Us at the San Antonio Museum of Art” published on Arts and Culture Texas; “Women’s Work: After Carolee, Tender and Fierce at Artpace” published on Glasstire

January 22, 2021Less is More: ‘The Contemporary Print 5x5’ features less artists, but more depth” published on Sightlines

January 5, 2021Beyond Frida: Female Mexican Painters Paint the Modern Mexican Woman at the Dallas Museum of Art” published on Glasstire

December 22, 2020Adrian Aguilera and Betelhem Makonnen’s Vision of an America That is Yet to Be” published on Frieze

December 21, 2020Glasstire’s Best Of 2020” published on Glasstire

December 17, 2020The Silly, Sexy, and Serious Wigs that Made History” published by Hyperallergic

December 16, 2020At 105, Carmen Herrera Goes Monumental in New Sculpture Series” published on Art & Object

December 15, 2020True Colors: Rachel Jones at 12.26 Gallery” published in Glasstire

December 7, 2020Meet Virginia Jaramillo, a Pioneering Minimalist Who Fuses Cosmology and Science Fiction” published on Hyperallergic

December 3, 2020The Man Who Walked Across Japan for Pizza Toast” published on Atlas Obscura

December 1, 2020Prado Museum Reopens with a Hard Look at Spanish Sexism” published on Hyperallergic; “Chuck Ramirez: The Minimalist Maximalist” published on Sightlines

November 23, 2020At Flatbed: Endangered Birds Take Flight in Suzi Davidoff’s Latest Work” published on Glasstire

November 20, 2020Memory and its Colors” online exhibition essay published by Flat Rate Contemporary

November 19, 2020Chuck Ramirez, the Heartfelt Photographer of Trash and Banal Throwaways” published on Hyperallergic

November 16, 2020An Englishman Goes West: Tom Jean Webb at Ivester Contemporary” published on Glasstire

November 12, 2020A New Book Awash with the Glories of Watercolor” published on Hyperallergic;The New Normal: The 2020 Austin Studio Tour Goes Digital” published on Arts and Culture Texas;A Studio Visit with Bradley Kerl” published on Jonathan Hopson Gallery’s blog Real About

November 10, 2020Afterglow: Arthur Peña at Nancy Littlejohn Fine Art” published on Glasstire

November 7, 2020Painting from Rural Roots: An Interview with Sarah Williams” published on Glasstire

November 4, 2020Interview: Adrian Aguilera and Betelhem Makonnen, ‘people the We,’” published on Sightlines

October 27, 2020Interview: Bryan Schutmaat, ‘County Road’” published on Sightlines

October 24, 2020Interview: What It’s Like to Live Between Two Worlds” published on Glasstire

October 21, 2020 “I’m Obsessed with Diego Velázquez’s ‘The Triumph of Bacchus'“ published on Artsy

October 17, 2020 “Proactive Prints” online group exhibition and sale, curated by Debra Barrera at Carry Out, Jonathan Hopson Gallery

October 15, 2020Review: From Los Outsiders, a group show brings natural relief from crisis fatigue” published on Sightlines

October 13, 2020Love and Other Words: Robert Indiana’s Enduring Influence at the McNay” published on Arts & Culture Texas

October 6, 2020 “Review: ‘Between Two Worlds’ captures the contemporary visual aesthetic of Texas-Mexico borderland” published on Sightlines

October 1, 2020 “Review: With its 25th Emerging Latinx Artists exhibition, Mexic-Arte keeps an open line to the current times” published on Sightlines

September 2, 2020Cervantes’s Sisters: The Female Writers of Spain’s Golden Age” published on Hyperallergic

August 2020 My interview with Kevin McNamee-Tweed published in his monograph Ceramic Paintings by Steve Turner Gallery

May 5, 2020The Risk of Stating the Obvious: Ella Kruglyanskaya Interviewed by Lauren Moya Ford” published on BOMB Magazine

April 27, 2020Studio Visit: Belén Rodríguez” published on BOMB Magazine

April 13, 2020 Music videos “Fantasy” and “Middle America” by Pure X released by Fire Talk Records. I created the visuals for both videos

March 31, 2020White Gold: How Chinese porcelain became a worldwide sensation, changing tastes and the global economy” published on History Today

March 18, 2020Ceija Stojka. This Has Happened” published in Art Papers

March 4, 2020An Avant-Garde Magazine that Promoted the Indigenism Movement” published on Hyperallergic

March 2, 2020 Exhibition preview “Prado show lifts the lid on the cases built to protect a French prince's treasures” published in The Art Newspaper, Number 321, print edition

February 28, 2020Unearthing Canada’s Impressionist Legacy,” published on Hyperallergic

February 10, 2020Field Guided: Native Plants and the Local Landscape in Texas Art” published in Wildflower Magazine, print edition

February 4, 2020 “Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and 1980s"“ published in Femme Art Review, print edition

January 27, 2020 “Edward Hopper’s Intimate Paintings of the American Landscape” published on Art & Object

January 24 – February 6, 2020 Solo exhibition “Full Bloom” on view at the Visual Arts Center at the University of Texas at Austin

January 17, 2020The Artist Who Survived Three Concentration Camps and Captured her Trauma in Art” published on Artsy

January 13, 2020Blanton Print Pop-Ups Bring Audiences Up Close” published on Glasstire

January 9, 2020A Studio Visit with Ryan Thayer Davis” published on Sightlines

January 1, 2020How Europe Learned to Draw” published on Hyperallergic

December 24, 2019Tsuruya Kōkei: Modern Kabuki Prints Revised and Revisited at Asia Society” published on Glasstire

December 20, 2019Studio Visit: Luísa Jacinto by Lauren Moya Ford” published on BOMB Magazine

December 18, 2019Beatriz González and her Transformed Universal Art” published on Sightlines

December 5, 2019A Tale of Two Pioneering Women in Renaissance Italy” published on Hyperallergic

November 25 – December 6, 2019 Guest Artist in Print Program at the University of Texas at Austin’s Department of Art and Art History

November 29, 2019Mother River: Thao Nguyen Phan at Fundació Joan Miró, Barcelona” published on Mousse Magazine

November 26, 2019 Lecture “On Naoko Matsubara” at the University of Texas at Austin’s Department of Art and Art History

November 25, 2019 Lecture “Artist & Writer, Writer & Artist” at the University of Texas at Austin’s Department of Art and Art History

November 8, 2019 Studio visit with Malin Gabriella Nordin published on BOMB Magazine

October 30, 2019 “From a Medieval Spanish Printmaking Mecca” published in Pressing Matters, Issue 9

October 27, 2019 Interview with Dr. Gilberto Cárdenas about Latinx art published on Sightlines

October 18, 2019 Review “The Dark Fairytales of Kiki Smith” published on Art & Object

October 7, 2019The Dictator’s Favorite Painter: How Ignacio Zuloaga went from exiled reject to Francisco' Franco’s preferred portraitist” published on Art & Object

October 2, 2019 My talk “Naoko Matsubara: A Life with Wood, Ink, and Paper” is delivered at the “Knifework: Traces on the Artist’s Block” symposium at The Ashmolean Museum at Oxford University

September 12, 2019A forgotten Portuguese modernist finally has her moment” published on Apollo– The International Art Magazine

September 9, 2019The Unlikely Marriage of Secular Artists and the Church” published on Art & Object

August 17, 2019 Group show “Quasi-Nature” opens at Archive Art Contemporain, Montreal, CA

August 12, 2019These Quiet Landscape Photos Reveal Spain’s Violent, Dark History” published on Artsy

August 5, 2019 Interview with French photographer Clément Verger published on Paper Journal

July 31, 2019 “Tetsuya Ishida” now online in Mousse Magazine

July 26, 2019Illustrating Spain in Transition Through Underground Comix” published on Hyperallergic

July 24, 2019A Coin to a Cat: An Itinerant Drawing Project in Central Japan” published on Glasstire

July 15, 2019The Influence of Painting on Balenciaga’s Visual Universe” published on Hyperallergic

June 26, 2019Spain’s annual photography festival, in focus” published on Apollo–The International Art Magazine

June 20, 2019(Re)discovering Conquest-era maps of Mexico” published on Sightlines

June 17, 2019 Studio visit essay about Corpus Christi artist Ashley Thomas published on Glasstire

June 13, 2019 Selections from Sandy Water artist book featured on Sightlines

June 10, 2019Between Elusive and Familiar: Daniel Rios Rodriguez’s Bruisers,” published on Sightlines

June 9, 2019 Sandy Water artist book now available for purchase online

June 5, 2019 “Tetsuya Ishida” published in Mousse Magazine 68

June 1, 2019 Solo exhibition Sandy Water opens at Rising Tide Projects, Galveston, TX

May 24, 2019 Studio visit essay about Austin artist Drew Liverman published on Glasstire

May 8, 2019 Review “Katy McCarthy’s work explores the ways that women are remembered by history- or not” published on Sightlines Mag

April 2019 Drawing featured in the Fusebox Festival Catalog, Austin, TX

April 29, 2019 Interview with Gerardo Rosales published on Glasstire

April 26-28, 2019 Libros Mutantes art book fair with This is Jackalope at La Casa Encendida, Madrid, ES

April 24, 2019 Interview with Reyes Ramirez & Moe Penders published on Glasstire

April 22, 2019 Illustrations for Kajii Motojiro’s short story “Lemon” published on Kyoto Journal

March 30, 2019 Drawings featured in Heads Magazine #9 (UDLI Editions) at the Los Angeles Art Book Fair

March 29, 2019 Solo drawing exhibition A Coin to a Cat at Almost Perfect, Tokyo, JP

March 26, 2019 A selection of my writing from Ocean Air and my translation of a selection from Irene de la Torre’s La isla rural featured on Harlequin Creature

March 25, 2019 Interview with Delilah Montoya, “Detention Nation, the Colonial Body, and the Latinx Community” published on Glasstire

March 19, 2019 “Using Humor, Food, and Femininity, Bobby Baker Creates an Art of Domesticity” published on Hyperallergic

March 18, 2019 Interview with Francis Almendárez, Ana Fernandez & Debra Barrera, “Nuestro Hogar” published on Glasstire

March 9, 2019 Interview with Gabo Martinez, “Indigenous Art Forms, Nature, and Surface Design” published on Glasstire

Feb 22, 2019 Interview with Kat Coyle about my Ocean Air project published on The Island Review

Feb 21, 2019Joan Miró’s Studio Reopens with a Refreshed Perspective” published on Hyperallergic

Feb 16, 2019 Opening of Caves dos Sonhos Esquecidos: Vestíbulo with my performance “Ring”, Artes Mota Galiza, Porto, PT

Feb 9, 2019 Ocean Air, Nine Postcards and a Love Letter, and Poemas Galegos now available at La Fábrica book store, Madrid, ES

Jan 31, 2019 Bilingual reading of Ocean Air and my translation of Irene de la Torre’s La isla rural, Desperate Literature, Madrid, ES

Oct 19, 2018 “La artista americana Lauren Moya Ford presenta su visión de Gran Canaria” published in La Vanguardia

Oct 19, 2018 Solo exhibition La isleña opens at el Centro de Arte La Regenta, Las Palmas, ES

Oct 10, 2018  Artist talk at el Centro de Arte La Regenta, Las Palmas, ES

Oct 6, 2018 Editorial Froitas at the Hostia Un Libro book festival, Madrid, ES

Sep 20, 2018Pensando en hacer” published for Ana Esteve Llorens’s exhibition Trip at Galería Paz y Comedias, Valencia, ES

Sep 18, 2018 “Doing the Work of Making a Memory” published on Glasstire for Ana Esteve Llorens’s exhibition Correspondence at Las Cruxes Gallery, Austin, US

Sep 10-Oct 20, 2018 Artist-in-residence at el Centro de Arte La Regenta, Las Palmas, ES

Apr 20-22, 2018 Editorial Froitas at Libros Mutantes Art Book Fair, La Casa Encendida, Madrid, ES

Apr 14, 2018 Areia e Pedra performance at MCO Contemporânea with Cristina Regada’s exhibition Etorno Retorno, Porto, PT

March 31, 2018 Catalog essay Un detalle published in Ashley Thomas’s exhibition House and Universe at Las Cruxes, Austin, US

March 2018 Created Editorial Froitas book publishing project, Madrid, ES

Feb 11, 2018 Nine Postcards and a Love Letter bilingual reading with translator Irene de la Torre at Desperate Literature, Madrid, ES

Jan 18, 2018 Interview with Tim Garwood on Plataforma de Arte Contemporáneo, Madrid, Spain

Jan 5, 2018 Solo exhibition Vessel opens at K Space Contemporary, Corpus Christi, US